UPLAND

The beauty of using a panoramic camera for landscape photography lies in its ability to capture the wide sweep of topography. Its format is naturally pleasing to our senses as it mimics our eyesight and peripheral vision. The trees and roads lend graphic elements that draw you in and offer a bit of mystery. What’s beyond the hill or the curve in the path? I work only in early morning or late afternoon when the light grazes the land and draws out the textures and undulous features of the contours of the countryside. Let’s take a walk along the trails and roads you are familiar with and can now revisit everyday on your wall, or venture into the unknown in rural France amongst the sunflowers.

UPLAND

The beauty of using a panoramic camera for landscape photography lies in its ability to capture the wide sweep of topography. Its format is  naturally pleasing to our senses as it mimics our eyesight and peripheral  vision. The trees and roads lend graphic elements that draw you in and  offer a bit of mystery. What’s beyond the hill or the curve in the path? I  work only in early morning or late afternoon when the light grazes the  land and draws out the textures and undulous features of the contours of  the countryside. Let’s take a walk along the trails and roads you are  familiar with and can now revisit everyday on your wall, or venture into  the unknown in rural France amongst the sunflowers.